Weather-wise, not much has changed since last week’s Tuesday Tunes post. In fact, I’m not sure it ever truly stopped raining. This weather doesn’t bother me too much, but I can tell it’s starting to wear on some people around me. For this week’s song, I figured if we can’t get sunshine outside, we can at least get some in this music video – literally.
It’s National Nathan Angelo Day! Or, September 22nd as most people call it. Today’s song by Nathan Angelo is appropriately titled “September 22nd” and featured on his album Through Playing Me (2006). Where I am, we’re having a rainy, dreary […]
Since their 2011 debut, This Is Where We Are, Seryn has undergone changes ranging from their sound and lineup to the place they call home. In late 2014, the band’s home became Nashville when members Trenton Wheeler (lead vocals/ukulele), Nathan Allen (guitar), Jenny Moscoso (guitar/vocals), Aaron Stoner (bass), Jordan Rochefort (drums), and Scarlett Deering (violin) relocated from Denton, Texas. Seryn released their sophomore album, Shadow Shows, on February 17, 2015. The album retains Seryn’s signature vocal harmonies and folk roots while expanding the musical groundwork laid in their debut.
The band graciously allowed me to sit in on their soundcheck during a stop on the Shadow Shows tour. As they played through “The Fire,” sound swept through the venue and filled it to capacity before any attendees had arrived. I had no doubt that I was in for a gorgeous performance later that evening. But before that performance, I sat down with Trenton Wheeler to discuss Seryn’s latest album, the band’s spiritual dynamic, and the evolving meaning of “We Will All Be Changed.”
Today’s tune comes from Runabay, a six-piece band from Northern Ireland. In just over one year as a band, Runabay has developed a sound that blends elements of folk, pop, and rock. In June, the […]
Faith is a journey through mountains and valleys punctuated by periods of varying closeness and distance from God. For me, “At The Table” is a song about returning home and closing distance. “At The Table” appears on Josh Garrels’ […]
This announcement came as a pleasant and unexpected surprise. New music! I first heard Erin McCarley’s music in 2009 when Love, Save the Empty was released. I bought the CD at F.Y.E. (whoa!), played the heck out of it, and it became part […]
The Soundgarden frontman is back in solo territory with his new single, “Nearly Forgot My Broken Heart.” Produced by Brendan O’Brien, this is the first song on Cornell’s forthcoming album, Higher Truth, and it’s paired with an excellent lyric video by Josh Graham.
On the first listen, this song’s arrangement reminded me of Cornell’s first solo album, 1999’s Euphoria Morning, which was remastered and reissued earlier this month as Euphoria Mourning. In this Kerrang! interview, Cornell discusses his solo career and new album. What’s most interesting to me is that “Nearly Forgot My Broken Heart” originally began as a country song! How interesting is that? I’m always fascinated by the way songs evolve from their early demos to the finished product.
Today, I’m featuring a song from one of my favorite new(ish) bands, Wolf Alice. Hailing from London, England, members Ellie Rowsell, Theo Ellis, Joel Amey, and Joff Oddie have a sound that seamlessly blends rock, pop, folk, and other genres. I discovered Wolf Alice’s music in late 2013 when “Fluffy” played on my “Hole” Pandora station. I liked what I heard, but after hearing the Blush EP, I was 100% sold.
After a mac ‘n cheese cook-off and fireworks show on July 4, I watched Singles, one of my favorite feel-good movies, with a relative who’d never seen it. I got inspired to watch the film again after seeing the Facebook event for a screening of Singles at the Seattle apartment where it was filmed, which ultimately did not happen (bummer). Since then, “Dyslexic Heart” has been stuck in my head on repeat. Usually I like to feature weightier songs, but hey, some Tuesdays call for catchy, upbeat tunes. Reminder to self – you can enjoy music that doesn’t punch you in the gut with its heaviness.
Lately, I’ve been listening quite a bit to Pearl Jam’s Binaural (2000). I feel it’s their most underappreciated album, and this week I’ve chosen my favorite track, “Parting Ways.” Several songs on the album use binaural recording techniques, which is the use of two microphones to create a “3D” sound. The band employed producer Tchad Blake to help create that sound and feel for Binaural. I’m really interested in binaural recording and every time I listen to this album, I uncover new sounds. Although “Parting Ways” does not use the binaural technique, it’s no less of a treat to listen to. Make sure you’ve got a good set of headphones for this one. It makes all the difference.
Between the Notes 